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Hidden Archives, Closeted Desires, Postponed Utopias: Queer Ultranationalism in Turkish Opera

Articolo
Data di Pubblicazione:
2021
Citazione:
Hidden Archives, Closeted Desires, Postponed Utopias: Queer Ultranationalism in Turkish Opera / R.E. Altınay. - In: PERFORMANCE RESEARCH. - ISSN 1352-8165. - 26:8(2021), pp. 116-125. [10.1080/13528165.2021.2088115]
Abstract:
How do queer intellectuals produce dramatic texts for utopian archival projects? How do (once) hidden theatre practices exist in a complicated relationship with the claims about covert or clandestine performances in the messy afterlives of such unorthodox archives? This essay explores such processes and how they unfolded in the context of Turkish opera by focusing on the work of Rıza Nur (1879-1942). Rıza Nur was a queer Turkish politician who created an archive of resistance to propagate his ultra-nationalist and eugenicist utopian vision for Turkey’s future during the country’s formative years. In addition to his proposed programs for Turkey’s revivification and the establishment of an ultra-nationalist party, the archive also included Nur’s memoirs, essays, poetry, and two of his librettos. Nur trusted this archive to multiple European libraries on the condition that it would not be accessible until 1960. Nur’s desire was that once his archive would become public, it would transform Turkish people’s understanding of the past, make them recognize him as an unappreciated true leader, and adopt his utopian vision. Rıza Nur’s librettos demonstrate how operatic writing can function as an undercover strategy of queer self-making. The librettos reveal how archives function not only as repositories but also as sites of production, and how dramatic texts can gain queer dimensions and political significance in relation to other texts. Archives can thus provide crucial insights into discrete theatre practices and create important opportunities to review and revise performance historiographies. Nevertheless, the limited scholarly attention Nur’s librettos have received suggests how disciplinary and methodological conventions may render dramatic texts invisible even when they are in plain sight. Finally, Nur’s ultra-nationalist and eugenicist utopian archive challenges the tendency to associate queer utopian performance with progressive politics.
Tipologia IRIS:
01 - Articolo su periodico
Elenco autori:
R.E. Altınay
Autori di Ateneo:
ALTINAY RUSTEM ERTUG ( autore )
Link alla scheda completa:
https://air.unimi.it/handle/2434/1096669
Link al Full Text:
https://air.unimi.it/retrieve/handle/2434/1096669/2528473/Altinay_PR_GreenOA.pdf
Progetto:
Staging National Abjection: Theatre and Politics in Turkey and Its Diasporas (STAGING-ABJECTION)
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Settori (10)


Settore L-ART/05 - Discipline Dello Spettacolo

Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate

Settore L-OR/13 - Armenistica, Caucasologia, Mongolistica e Turcologia

Settore M-STO/02 - Storia Moderna

Settore M-STO/04 - Storia Contemporanea

Settore COMP-01/A - Critica letteraria e letterature comparate

Settore HIST-02/A - Storia moderna

Settore HIST-03/A - Storia contemporanea

Settore PEMM-01/A - Discipline dello spettacolo

Settore STAA-01/M - Armenistica, caucasologia, mongolistica e turcologia
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Realizzato con VIVO | Progettato da Cineca | 25.12.4.0