Publication Date:
2020
Citation:
Post-Cinema Ecology / F. Casetti, A. Pinotti (THE KEY DEBATES). - In: Post-Cinema : Cinema in the Post-Art Era / [a cura di] D. Chateau, J. Moure. - Prima edizione. - Amsterdam : Amsterdam University Press, 2020. - ISBN 9789463727235. - pp. 193-217
abstract:
Instead of developing the general theme of the immersive experience, Francesco Casetti and Andrea Pinotti exemplify it by focusing specifically on Alejandro G. Iñárritu’s Carne y arena, an interactive virtual reality installation presented at the 2017 Cannes Film Festival, insofar as it testifies to the formal and spectatorial transformations that are rightly referred to as post-cinema. More generally, emphasizing the characteristics of “unframedness, presentness, and immediateness,” this kind of work
draws our attention to the phenomenology of the film experience. Casetti and Pinotti propose going beyond phenomenology (and ontology) with the project of an iconic ecology based on the concept of phaneron, the appearance as it is perceived for itself.
draws our attention to the phenomenology of the film experience. Casetti and Pinotti propose going beyond phenomenology (and ontology) with the project of an iconic ecology based on the concept of phaneron, the appearance as it is perceived for itself.
IRIS type:
03 - Contributo in volume
Keywords:
post-cinema; media ecology; interaction; phanerology; an-iconology; immersivity
List of contributors:
F. Casetti, A. Pinotti
Link to information sheet:
Book title:
Post-Cinema : Cinema in the Post-Art Era