«Meine Freunde, ihr, die ihr an dionysische Musik glaubt». Il dramma come rituale di comunità in Nietzsche e Georg Fuchs
Articolo
Data di Pubblicazione:
2022
Citazione:
«Meine Freunde, ihr, die ihr an dionysische Musik glaubt». Il dramma come rituale di comunità in Nietzsche e Georg Fuchs / M. Pirro. - In: CULTURA TEDESCA. - ISSN 1720-514X. - 2022:64(2022), pp. 179-200.
Abstract:
Georg Fuchs’ activity is to be contextualized within the anti-natural-
istic theatrical reform advocated by theater makers between the end
of the 19th and the beginning of the 20th century. In Munich, one of
the capitals of ‘Klassische Moderne’, Fuchs brought on a renewed
notion of theater, which would eventually break the pedagogical as-
sumptions in which German theatre had been grounded since the
18th century. By following Max Littmann’s project, Fuchs conceived
his ‘Künstlertheater’ as a multi-sensorial and collective experience
for his audience, which would channel the primordial energy re-
leased through the rhythm of the actors’ movements. The idea of a
theatre freed from the domination of verbal components and ani-
mated by the celebration of parareligious rituals is clearly close to
the tragic that Nietzsche theorized in the Geburt der Tragödie.
Tipologia IRIS:
01 - Articolo su periodico
Elenco autori:
M. Pirro
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